Monday, February 25, 2013

Week 7 Screening 2


Triumph Of The Will (1935) Leni Riefenstahl.

“We want to see no more class divisions” - Hitler
Triumph of the Will is a propaganda documentary that takes a rose tinted view of the activities of Germany's Nazi party after World War I and before World War II. As the name suggests the films tone is one of triumphalism and it is classed as a documentary, the term documentary in this case is only a ruse. There is no genre for films that make fiction out of factual footage. The use of the word triumph suggests an adversary but there is no representation of an other within the film, there is only one voice. Hitler is credited at the start of the film as having a role in its production (“Produced by order of the Fuhrer”), this suggests a level of control exerted over its production. The only voice in the film is that of the Nazi party, and as this was controlled by Hitler the sole voice of the documenatry could be said to be that of Hitlers.
Replete with regalia and stiff arm salutes the films intention appears to be the repeated reinforcement of the symbolism of the Nazi party. When released this film might have had a small captive audience. A contemporary viewing with its dated format and style of music positions the film as almost quaint in its naivety if not for the atrocities that were since carried out by these same smiling subjects.
The content of the film and the film itself are both propaganda, awareness of its flagrant subjectivity becomes a lens through which the film is viewed.
The edited snippets of speeches suggest that it was made to convince the contemporary viewer as to the wisdom of the nazi party, not just to revel in triumphalism. The film captures the synchronized aspect of conformity and features numerous scenes of coordinated and systematic activities, there is no individual representations of the people in the crowds. The crowd represents and manifests the activities of the one voice.
The camera techniques, the framing of the proceedings and the editing of this footage are skilfully done and make it an easy watch despite its content and its message. At 110 minutes the films monotone and lack of narrative structure means that it is a struggle to maintain interest for its full lenght.

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