American Movie. 1999.
Chris Smith.
Netflix
IMDB;
American movie is a documentary that follows the endeavors
of Mark Borchardt and friends for two years as he attempts to
complete his feature length film. Although it is pitched as a documentary the
content of the film is portrayed comically to the extent that it lends itself
to the mockumentary genre. The main characters that the documentary follows are
unselfconscious in their demeanor, this lack of self-awareness allows for an accurate
warts and all portrayal of their adventures. If it is the characters that make
the content in personal documentaries than the characters in this documentary unintentionally
provide copious amounts of content. Comedy is the expression of contrasted
ideas, the ideas of Mark Borchardt are at such variance from others they
ensuing scenarios are ripe for exposition by the filmmakers.
The film makes extensive use of juxtaposition
in its editing, cutting between scenes of seriousness and farce. This editing
technique has the effect of emphasizing the ludicrous nature of the situation
even if this is not an authentic reflection of how the events unfolded. This
straying from a faithful rendering of what occurred with juxtaposition makes
for entertaining viewing. But the sacrificing of fidelity by the contrast of different
circumstances is where it strays from documentary and lends itself to
mockumentary. If for example the filmmakers had taken the view that Marks
obsession with finishing the film was having a negative effect on those around
him and preventing him from growing up, the film could have had a completely
different tone. As it stands the finished film we see is molded by the filmmakers
perception of what was occurring. Having followed the
documentary subjects over the course of two years the documentary producers are
bound to develop a relationship with them. What effect this relationship has on
the outcome of the film is hard to know but the ensuing relationship is
mirrored in their portrayal in the film. The filmmaker’s perception of the
subjects of the documentary would have a bearing on the shape and content of
the finished product.
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